Every system we build eventually gets handed to a volunteer who learned it three months ago. That one fact changes almost every decision in the design.
We design it, install it, tune it, and then train the people who actually have to run it at 9:40 on a Sunday when the person who knows the answer is out of town.
Most bids open with a product list. Ours opens with your room, because in most churches the room is doing more damage to intelligibility than any speaker on the market can undo. Ceiling height, wall and floor material, the balcony overhang, where the HVAC returns sit, whether the booth got shoved against the back wall where it hears more bass than anyone in the congregation ever will.
Then we design around what you already own. If your console has five good years left, we will say so and put the money where it actually changes what people hear. We would rather remove a line item than pad one.
Coverage modeled for your room before a single box gets specified. Consoles, speakers, monitoring, wireless and RF coordination, and a gain structure that leaves your operator somewhere to go. The back third of the room should hear the message, not the room.
We specify it and we install it. Plenty of integrators write treatment into the proposal and leave the hard part to somebody else. If your room needs an independent acoustician, we will tell you that too.
Sized to your throw distances and your stage lighting, so the screen still reads the moment the wash comes up. Rigging, structure, power and processing planned before anything gets ordered, not after the pallets land.
Lighting that serves worship instead of competing with it, with front light your cameras can actually use and scenes your team can recall without a lighting designer sitting in the booth.
A real stream mix instead of a post-fader bus off front of house. Cameras, switching, encoding and broadcast audio, built so one volunteer can run it on a Sunday morning rather than three.
Labeled racks, as-builts, and the DSP password written down somewhere your next tech director can find it. Then training for three people, not just the one staff member.
Nobody in this industry will put a number on a webpage, which is how churches end up six weeks into a conversation before finding out they were never in range. We would rather save you the six weeks.
Upgrades and replacements generally start around $25,000. That is a real sanctuary system, designed, installed, tuned and handed off, not a few boxes swapped out. New construction and full-room packages generally start around $650,000.
For planning purposes, most integrators land AVL between 10 and 15 percent of a total construction budget. If your architect or general contractor has penciled in 3 to 6 percent, which is common, the number in your capital plan is low by a factor of two or three, and it is better to find that out now than at bid time.
If your project sits well below those numbers, we are probably not the right fit, and we will say so on the first call instead of wasting your committee’s time. That is not us being precious. It is that a system worth owning has a floor, and pretending otherwise helps nobody.
The full breakdown, including per-seat tables and published project figures, is in our church AVL budget guide.
We walk the room, listen to what keeps breaking, and talk honestly about budget and timeline. No charge, and no proposal until we understand the space.
Coverage modeling, a real system design, and pricing line by line, including the things we think you should not buy yet. This is the document your board can actually approve.
Scheduled around your services so you do not lose a Sunday. If we are working alongside an architect or general contractor, we coordinate conduit, structure and power long before anything ships.
Commissioning, a punch list you sign off on, as-builts, labeled racks, volunteer training, and a phone number that still gets answered in year three.
You are in a building program and the AVL line item was set by someone who has never mixed a service. We come in during design, before the electrical engineer routes conduit, which is the difference between a clean install and a surprise invoice for steel conduit nobody budgeted.
The wireless is on borrowed bands after the repack, the amps are past service life, and every Sunday is a workaround. Usually the honest answer is a phased replacement, not a rip and replace.
It was wrong the day the doors opened and everyone stopped mentioning it. These are frequently acoustics and coverage problems wearing a gear costume.
You need the same system in a different room, documented the same way, so one person can support all of them. Consistency across campuses is worth more than any single component choice.
Free consult, straight answers, and a plan with real numbers.
Audio • Video • Lighting • Integration
★★★★★ 5.0 · 20+ Google reviews